For Production Houses

An AI video editor built for production houses.

Broll handles the volume production teams actually work with — multiple cameras, long shoots, several projects at once — and hands your editors a built story to finish.

Tell us about your production house

Built for teams, not just individual creators

Production houses don't work with a single clip — they work with hours of multi-camera footage, mismatched audio, and several projects moving at once. Broll's agent is built to start there: no manual logging, no pre-organizing bins before the editing can begin.

From raw footage to client-ready cuts

Upload the footage and describe the edit. Broll finds the moments, builds the story, cuts the timeline, writes captions, grades color and lip syncs across languages in one pass. Your team reviews the cut, refines what needs a human eye, and exports.

Handoff without lock-in

Every edit exports as a standard timeline XML, so your finishing editors keep working in Premiere Pro, DaVinci Resolve or Final Cut Pro — the tools your pipeline already runs on. Broll handles the first pass; your team keeps creative control over the final one. Read more about how Broll's AI video editor works.

Scale output without scaling headcount

Production houses and creator teams — including teams behind 200M+ monthly views and a 15M+ follower production house — use Broll to take an edit that used to run about eight hours down to around twelve minutes of agent time before human review. Learn more about Broll.

FAQ

Production houses, answered.

Can production houses use AI video editing at scale?

Yes. Broll is built for the volume production teams actually work with — multiple cameras, long shoots, several projects in parallel — not single clips. Production houses use Broll to move from raw footage to a client-ready cut without a full manual assembly pass on every project.

Does Broll fit into an existing post-production pipeline?

Yes. Broll exports a standard timeline XML that opens in Premiere Pro, DaVinci Resolve or Final Cut Pro, so your finishing editors keep working in the tools they already use — Broll handles the first pass, not a replacement for your pipeline.

Does AI editing replace our editors?

No — Broll removes the hours of watching, logging and assembling raw footage, and hands your editors a built story to review and finish. The creative judgment calls stay with your team.

How much time does an AI video editor save a production team?

In practice, an edit that took about eight hours by hand can take around twelve minutes of Broll's time before human review — the exact savings depend on footage volume and the complexity of the cut.